Something I have noticed: drawing/painting here seems to be more about the image than the paint. I find this a bit surprising considering DC's legacy of process oriented color field abstraction. Case in point is Matthew Mann's work up now at Flashpoint. Beautiful, funny images. I found myself wondering what they'd be like as frescoes or as silk screens or as pasted-up posters on the street.

A counterpoint would be Philip Hinge's paintings, two of which were included in Conner Contemporary's latest Academy show. He seems to be grooving on a David Hockney/Mary Heilmann tune. Nice.

(top image is Matthew Mann's painting from his Cinecitta Chapel series; bottom image is Philip Hinge's Lunch Table.)
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